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Until You Come to Me (Studio Khara Animatior Expo) Shot Breakdown

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1. The first shot twinkles to the piano, starting of white before scrolling downwards into a gradual ruin 2. The roaring violins match the sky; perfectly the clouds are brushed over with light to get a transcendent feel, as opposed to the coloured luscious clouds of Makoto Shinkai. 3. Shot of step on red soil. To piano twinkle. 4. Establishing location, red field with the stark rotor to the left side while snow lightly falls. A post-modernity apocalypse. 5. Light brushes of the pink sea, reminder of the End of Eva beach. 6. Walking Shinji in the snow. While the shifting of the animation, like the waves before, matches the music, the composition of the scene is a mostly stark white grey with the red brush over the wire poles at the side. Centers Shinji’s huddled form. 7. The familiar empty capsule, while the music changes to a light piano, has a very lonely feel. First sign of the serious destruction of the land. 8. More overlay of the land with broken down Eva and other parts. 9. Beautiful shot of debris rising to the sky with a faint planet in the background. 10. Shinji lying and staring as music rises. The ground is plain and not red. 11. Red railroad tracks. 12. More red railroad tracks. Interspersing modernity with blood is an Anno move. 13. Dark red radio tower clashes against white sky with snow. 14. Shinji lying shot again. 15. Quick gruesome montage as the piano gets slightly more frantic and fades to black as it ends. 16. Violin restarts on a composition of red city foreground with stark white background. 17. A dark red view of a massive Eva monstrosity beheaded over a house. 18. As violins lighten greatly, massive beautiful view with stark yellow golden sun, like a cloud iridescence, with grey clouds and red land. Silhouette. 19. Four Asukas quick montage. 20. Proper animated transforming blue to red Eva Beach waves. 21. Rei shot against coast. 22. Walking fingers on the top of barrier. 23. Walking fingers the other way in suit. Fingers break away into bits. 24. White sea this time. No more red. 25. Properly animated plugsuit Shinji on watery ruins. 26. Sees Rei in a montage reminiscent of the first time he saw her in NGE. A quick flash cut of her eye and her form in schoolgirl. With doves flying off telephone poles. 27. Mid torso shot of Shinji as he turns and walks towards her direction. Piano comes back from a brief outro

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